Overview
The study of poetry, from the Romantics to contemporary slam poetry, offers a rich exploration of how human expression has evolved through language, form, and performance across centuries. This journey takes you from classic love sonnets to modern spoken word, showing how society and culture shape the way we express ourselves through verse. The aim of this unit is to introduce you to practical skills in understanding poetry and communicating your understanding to others. You'll learn to analyse poetry and appreciate its history and various forms while developing valuable skills in critical thinking and creative expression that you can use in any career path.
Details
Pre-requisites or Co-requisites
Students need to have completed 18 credit points prior to enrolling in this unit.
Important note: Students enrolled in a subsequent unit who failed their pre-requisite unit, should drop the subsequent unit before the census date or within 10 working days of Fail grade notification. Students who do not drop the unit in this timeframe cannot later drop the unit without academic and financial liability. See details in the Assessment Policy and Procedure (Higher Education Coursework).
Offerings For Term 1 - 2025
Attendance Requirements
All on-campus students are expected to attend scheduled classes - in some units, these classes are identified as a mandatory (pass/fail) component and attendance is compulsory. International students, on a student visa, must maintain a full time study load and meet both attendance and academic progress requirements in each study period (satisfactory attendance for International students is defined as maintaining at least an 80% attendance record).
Recommended Student Time Commitment
Each 6-credit Undergraduate unit at CQUniversity requires an overall time commitment of an average of 12.5 hours of study per week, making a total of 150 hours for the unit.
Class Timetable
Assessment Overview
Assessment Grading
This is a graded unit: your overall grade will be calculated from the marks or grades for each assessment task, based on the relative weightings shown in the table above. You must obtain an overall mark for the unit of at least 50%, or an overall grade of 'pass' in order to pass the unit. If any 'pass/fail' tasks are shown in the table above they must also be completed successfully ('pass' grade). You must also meet any minimum mark requirements specified for a particular assessment task, as detailed in the 'assessment task' section (note that in some instances, the minimum mark for a task may be greater than 50%). Consult the University's Grades and Results Policy for more details of interim results and final grades.
All University policies are available on the CQUniversity Policy site.
You may wish to view these policies:
- Grades and Results Policy
- Assessment Policy and Procedure (Higher Education Coursework)
- Review of Grade Procedure
- Student Academic Integrity Policy and Procedure
- Monitoring Academic Progress (MAP) Policy and Procedure - Domestic Students
- Monitoring Academic Progress (MAP) Policy and Procedure - International Students
- Student Refund and Credit Balance Policy and Procedure
- Student Feedback - Compliments and Complaints Policy and Procedure
- Information and Communications Technology Acceptable Use Policy and Procedure
This list is not an exhaustive list of all University policies. The full list of University policies are available on the CQUniversity Policy site.
Feedback, Recommendations and Responses
Every unit is reviewed for enhancement each year. At the most recent review, the following staff and student feedback items were identified and recommendations were made.
Feedback from Student feedback and UC reflection
The curriculum requires refreshed content with lecture videos and recorded tutorials, along with more diverse voices, including more First Nations poetry, as well as more practical poetry analysis and understanding of how to write poetry.
The curriculum will be revised, with new lecture videos and slides, and weekly tutorials to be recorded. The new curriculum will consider an original structure and approach that incorporates greater emphasis on new and emerging voices, First Nations poets, new content on how to write poetry, and emphasis on the development of analytical and critical thinking skills.
Feedback from Student feedback and UC reflection
Assessments require revision.
The assessments will be revised as necessary.
Feedback from Student feedback and UC reflection
Clearer expectations for the unit delivery and outcomes.
Embed clear and deliverable expectations in the unit introduction and greater utilisation of Microsoft Teams for communication with students.
Feedback from Verbal student feedback with UC
A glossary of literary and poetic terms would be useful.
Create a glossary that contains key literary and poetic terms.
- Identify and analyse different poetic forms and techniques, and how they shape meaning in a range of poetry
- Evaluate critical debates and theories surrounding the reception of different types of poetry
- Formulate responses to issues raised and ideas about poetry, and convey those ideas through cogent arguments
Alignment of Assessment Tasks to Learning Outcomes
Assessment Tasks | Learning Outcomes | ||
---|---|---|---|
1 | 2 | 3 | |
1 - Reflective Practice Assignment - 20% | |||
2 - Written Assessment - 35% | |||
3 - Essay - 45% |
Alignment of Graduate Attributes to Learning Outcomes
Graduate Attributes | Learning Outcomes | ||
---|---|---|---|
1 | 2 | 3 | |
1 - Communication | |||
2 - Problem Solving | |||
3 - Critical Thinking | |||
4 - Information Literacy | |||
5 - Team Work | |||
6 - Information Technology Competence | |||
7 - Cross Cultural Competence | |||
8 - Ethical practice | |||
9 - Social Innovation | |||
10 - Aboriginal and Torres Strait Islander Cultures |
Textbooks
There are no required textbooks.
IT Resources
- CQUniversity Student Email
- Internet
- Unit Website (Moodle)
- Microsoft Teams (both microphone and webcam capability)
- Zoom access: microphone and webcam required
- Students must have necessary equipment/accessories to attend online tutorials via Zoom or Microsoft Teams, or to watch the video recordings
All submissions for this unit must use the referencing style: Harvard (author-date)
For further information, see the Assessment Tasks.
a.hickling@cqu.edu.au
Module/Topic
FOUNDATIONS: Introduction + what to expect + assessment overview
Chapter
Week 1 Study Guide via the Moodle unit site, readings mentioned in study guide will be available in the e-reading list.
Students are expected to review the study material before attending any tutorials so that they can engage in the tutorial activities.
Events and Submissions/Topic
Students should access the Microsoft Teams group for the unit and introduce themselves via the Introductions channel.
Students should familiarise themselves with the assessments via the Assessments Tile.
Students should add the assessment due dates to their personal calendar or schedule and make note of the "Assessment Extension Request" form in the Support Menu.
Module/Topic
FOUNDATIONS: Reading Poetry + History & Evolution of Poetry
Chapter
Weekly study guide, readings mentioned in study guide will be available in the e-reading list.
Events and Submissions/Topic
Work through the resources provided on the Moodle site for an introduction to poetry analysis techniques.
Module/Topic
FOUNDATIONS: Types and Traditions
Chapter
Weekly study guide, readings mentioned in study guide will be available in the e-reading list.
Events and Submissions/Topic
Understanding more about the "forms" poetry can take.
Be working on assessment 1. Bring forward any questions about the task.
Module/Topic
FOUNDATIONS: Talk the talk: learning more about poetic vocabulary
Chapter
Weekly study guide, readings mentioned in study guide will be available in the e-reading list.
Events and Submissions/Topic
Assessment 1 is due.
Short Paper Due: Week 4 Friday (4 Apr 2025) 11:59 pm AEST
Module/Topic
DEEP DIVE: Romantic & Victorian Poetry
Chapter
Weekly study guide, readings mentioned in study guide will be available in the e-reading list.
Events and Submissions/Topic
Get started on assessment 2.
Module/Topic
Chapter
Events and Submissions/Topic
Module/Topic
DEEP DIVE: Early Modern & Modernist Poetry
Chapter
Weekly study guide, readings mentioned in study guide will be available in the e-reading list.
Events and Submissions/Topic
Module/Topic
DEEP DIVE: Imagism & War Poetry, American Moderism, Harlem Renaissance
Chapter
Weekly study guide, readings mentioned in study guide will be available in the e-reading list.
Events and Submissions/Topic
Module/Topic
DEEP DIVE: Australian and First Nations Poets and their Poetry
Chapter
Weekly study guide, readings mentioned in study guide will be available in the e-reading list.
Events and Submissions/Topic
Finalising for assessment 2, due next week!
Must begin on assessment 3 (if you haven't already).
Module/Topic
DEEP DIVE: Poetry and Identity
Chapter
Weekly study guide, readings mentioned in study guide will be available in the e-reading list.
Events and Submissions/Topic
Submit assessment 2.
Breathe.
Then, get cracking on assessment 3.
Poetic Analysis and Creative Response: Poetry in Practice Due: Week 9 Friday (16 May 2025) 11:59 pm AEST
Module/Topic
DEEP DIVE: Contemporary & Slam Poetry
Chapter
Weekly study guide, readings mentioned in study guide will be available in the e-reading list.
Events and Submissions/Topic
Module/Topic
Workshopping
Chapter
Weekly study guide, readings mentioned in study guide will be available in the e-reading list.
Events and Submissions/Topic
Module/Topic
Recap + where we started to where we are now + revising your essay
Chapter
No new content.
Events and Submissions/Topic
Finalise and submit assessment 3. Remember to match your entries against the assessment criteria to ensure your work meets the requirements for the assessment item.
Essay Due: Week 12 Friday (6 June 2025) 11:59 pm AEST
1 Reflective Practice Assignment
Length: 750-900 words
Task: Compose a 750-900-word reflective paper that examines your developing understanding of poetry through the first four weeks of the unit. Your reflection should demonstrate both personal growth and academic insight into poetic analysis.
Key Components
1. Critical Engagement
Analyse two specific moments from your learning that transformed your understanding of poetry. These might include:
- Your response to a particular poem discussed in class
- A breakthrough in understanding poetic terminology
- An insight gained from class discussions
2. Theoretical Connection
Connect your learning experiences with specific poetic concepts and theories covered in the unit. Consider how your understanding of form, tradition, and poetic language has evolved.
3. Future Application
Articulate how these insights will inform your approach to reading and analysing poetry in the remainder of the unit.
Scholarly references: you must include a minimum of 3 scholarly references in your discussion.
Important: Your response must refer to poets, poems, poetic vocabulary, poetic forms, from the unit material, including both the weekly study guides and the weekly tutorials, from the first 4 weeks of the unit.
Use of Generative Artificial Intelligence agents (Gen AI)
Within this assessment, the use of Gen AI agents (including but not limited to ChatGPT and Microsoft CoPilot) is as follows:
- Gen AI may only be used within the constraints that are specified in individual assessment instructions within Moodle. Please refer to the unit website for those details.
- You must disclose all use of Gen AI in your submission.
- You are expected to reference how and where it has been used using the ALC reference guide as they have defined a mechanism for this.
WORD COUNT for this assignment:
The word count excludes the cover page and reference list. It includes in-text references and direct quotations.
Week 4 Friday (4 Apr 2025) 11:59 pm AEST
Week 6 Friday (25 Apr 2025)
The critical reflective paper will be assessed using the following criteria:
- Depth of reflection: evidence of critical thinking and self-awareness in learning.
- Technical Understanding: Demonstration of poetic concepts and terminology.
- Analysis: Quality of connections between experience and theory.
- Presentation & Referencing: The proper formatting of the prose and references according to the Harvard (author-date) referencing style, and adhering to the assessment guidelines.
- Writing Skill: Clarity of expression, including spelling and grammar.
- Identify and analyse different poetic forms and techniques, and how they shape meaning in a range of poetry
2 Written Assessment
Length: 1600-2000 words total (Part A 1000-1200-word analysis + Part B 500-800-word creative)
Analysis and Creative Dialogue: Poetry in Practice
Part A: Critical Analysis (1000-1200 words)
Select one poem from a provided list representing different poetic movements (e.g., Romanticism, Modernism, Contemporary).
Note: You may choose a period and poem from any week of the unit, even those we have not done a "deep dive" on yet (this is so you can choose something you resonate with) but exercise caution if you choose something from a week not yet discussed.
Key components:
- Analyse technical elements and contextual significance
- Identify key stylistic features and techniques
- Examine the poem's relationship to its literary-historical context
Part B: Creative Response (min 500, up to 800 words)
Part B1: Compose an original poem that deliberately employs the techniques and style analysed in Part A, and Part B2: accompany this with a reflective commentary explaining your creative choices.
Key components:
1. Original Poem (300 words max)
- Length: 14-30 lines, and a maximum 300 words (no matter how many lines of poetry, you cannot exceed 300 words)
- Must demonstrate deliberate use of at least three technical elements from the analysed poem
- Must maintain thematic or stylistic connection to the chosen movement/period
2. Technical Statement (approx. 100 words)
- Clearly state the three poetic techniques employed
3. Reflective commentary (approx. 400 words)
- Explanation of creative decisions and their relationship to the analysed poem
- Discussion of challenges encountered, and solutions found
- Critical evaluation of the effectiveness of chosen techniques
Scholarly sources: there must be a minimum of three (3) scholarly references in Part A and one (1) scholarly reference in Part B: reflective commentary.
Use of Generative Artificial Intelligence agents (Gen AI)
Within this assessment, the use of Gen AI agents (including but not limited to ChatGPT and Microsoft CoPilot) is as follows:
- Gen AI may only be used within the constraints that are specified in individual assessment instructions within Moodle. Please refer to the unit website for those details.
- You must disclose all use of Gen AI in your submission.
- You are expected to reference how and where it has been used using the ALC reference guide as they have defined a mechanism for this.
WORD COUNT for this assignment:
The word count excludes the cover page and reference list. It includes in-text references and direct quotations. The word has an allowance of +/- 10% either way. There is some flexibility with the word count due to the creation of the poem, but at a minimum must meet 1600 words, and a maximum of 2000 words +/- 10%.
Week 9 Friday (16 May 2025) 11:59 pm AEST
Week 11 Friday (30 May 2025)
Assessment 2 Marking Criteria:
1. Critical Analysis: Demonstrates sophisticated understanding of the original poem through detailed textual analysis, appropriate technical vocabulary, and integration of historical/cultural context.
2. Creative Application: Shows effective implementation of identified poetic techniques in original work while maintaining originality and technical control within the chosen style.
3. Technical Understanding: Displays clear articulation of poetic devices and form-content relationships through accurate use of terminology and detailed technical explanations.
4. Reflective Practice: Exhibits depth in analysing the creative process through sophisticated self-evaluation and clear connections between analytical and creative components.
5. Presentation and Referencing: Adherence to submission guidelines, including proper formatting, meeting word count requirements, evidence of editing and proofreading, and minimum four (4) scholarly references in Harvard (author-date) style.
- Identify and analyse different poetic forms and techniques, and how they shape meaning in a range of poetry
- Evaluate critical debates and theories surrounding the reception of different types of poetry
- Formulate responses to issues raised and ideas about poetry, and convey those ideas through cogent arguments
3 Essay
Length: 2000 words + references
Critical Perspectives in Poetry: Essay
In this 2000-word essay, you will develop a sustained critical argument in response to one of the provided questions. Your essay should demonstrate comprehensive engagement with poetic analysis, drawing on specific examples from poems studied in the unit and incorporating relevant scholarly sources (min. 5 scholarly sources + referencing the poets and each poem).
Your essay must:
- Present a clear and focused argument.
- Perform advanced poetry analysis in answering your chosen topic question.
- Analyse at least three (maximum 6) poems from the unit material to answer your question. Refer to each question for specifics on the number of poets and/or poems required.
- Provide direct evidence from the poems.
- Use secondary material to support both your argument and analysis and therefore engage with a minimum of five scholarly sources.
- Demonstrate sophisticated understanding of poetic techniques and their cultural/historical contexts.
- Optional: Apply appropriate theoretical frameworks to support your analysis
Choose ONE of the following questions:
1. "The personal is political" - Examine how two or three poets use personal experience to engage with broader social or political issues. Consider how poetic form and voice contribute to the intersection of individual and collective experience. (For example: you might explore works by Judith Wright, Sylvia Plath, Adrienne Rich, or other poets who bridge personal and political themes). Your choices can be from different poetic/literary periods or within the same.
2. How do poets from different historical periods represent urban modernity and its impact on human experience? Analyse three poems from at least two different time periods, examining how poetic form and imagery reflect changing perspectives on urban life. (For example: you might compare Romantic poets' views of industrialisation with modernist urban poetry)
3. Analyse how two First Nations poets (such as Oodgeroo Noonuccal, Ali Cobby Eckermann, Lionel Fogarty, or Ellen van Neerven) explore themes of Country, sovereignty, and cultural continuation in their work. For example, how do their poetic techniques and use of language (including English and/or First Nations languages) contribute to their expression of these themes? Consider two (2) poems across both poets' works.
4. Examine how three poets use traditional poetic forms (such as the sonnet, villanelle, or ghazal) to address contemporary themes or challenge conventional expectations. How does their engagement with form contribute to meaning? Choose one poem from each poet.
5. Compare representations of grief and mourning across three poems from different cultural or historical contexts. How do the poets' choices of imagery, form, and voice reflect distinct approaches to expressing loss? Consider how cultural and historical contexts influence these representations.
If you wish to use a different number of poems or poets than specified in the questions, please consult the unit coordinator.
Use of Generative Artificial Intelligence agents (Gen AI)
Within this assessment, the use of Gen AI agents (including but not limited to ChatGPT and Microsoft CoPilot) is as follows:
- Gen AI may only be used within the constraints that are specified in individual assessment instructions within Moodle. Please refer to the unit website for those details.
- You must disclose all use of Gen AI in your submission.
- You are expected to reference how and where it has been used using the ALC reference guide as they have defined a mechanism for this.
WORD COUNT for this assignment:
The word count excludes the cover page and reference list. It includes in-text references and direct quotations.
Week 12 Friday (6 June 2025) 11:59 pm AEST
Exam Week Friday (20 June 2025)
1. Critical Analysis and Argument: presents a clear, sophisticated thesis that develops a coherent and well-supported argument through careful analysis of poetic works, demonstrating independent critical thinking.
2. Textual Evidence and Close Reading: Demonstrates sophisticated engagement with poetic language through detailed analysis of literary techniques, supported by specific and relevant textual evidence from the chosen poems.
3. Contextual Understanding: Shows comprehensive understanding of relevant historical, cultural, and literary contexts, demonstrating how these shape the meaning and significance of the chosen poems.
4. Comparative Analysis: Develops meaningful connections between three or more poems, demonstrating sophisticated understanding of how different poets approach similar themes or employ different techniques to achieve their effects.
5. Presentation and Referencing: Adheres to submission guidelines, including proper formatting, meeting word count requirements, evidence of editing and proofreading, and minimum five (5) scholarly references in Harvard (author-date) style.
- Identify and analyse different poetic forms and techniques, and how they shape meaning in a range of poetry
- Evaluate critical debates and theories surrounding the reception of different types of poetry
- Formulate responses to issues raised and ideas about poetry, and convey those ideas through cogent arguments
As a CQUniversity student you are expected to act honestly in all aspects of your academic work.
Any assessable work undertaken or submitted for review or assessment must be your own work. Assessable work is any type of work you do to meet the assessment requirements in the unit, including draft work submitted for review and feedback and final work to be assessed.
When you use the ideas, words or data of others in your assessment, you must thoroughly and clearly acknowledge the source of this information by using the correct referencing style for your unit. Using others’ work without proper acknowledgement may be considered a form of intellectual dishonesty.
Participating honestly, respectfully, responsibly, and fairly in your university study ensures the CQUniversity qualification you earn will be valued as a true indication of your individual academic achievement and will continue to receive the respect and recognition it deserves.
As a student, you are responsible for reading and following CQUniversity’s policies, including the Student Academic Integrity Policy and Procedure. This policy sets out CQUniversity’s expectations of you to act with integrity, examples of academic integrity breaches to avoid, the processes used to address alleged breaches of academic integrity, and potential penalties.
What is a breach of academic integrity?
A breach of academic integrity includes but is not limited to plagiarism, self-plagiarism, collusion, cheating, contract cheating, and academic misconduct. The Student Academic Integrity Policy and Procedure defines what these terms mean and gives examples.
Why is academic integrity important?
A breach of academic integrity may result in one or more penalties, including suspension or even expulsion from the University. It can also have negative implications for student visas and future enrolment at CQUniversity or elsewhere. Students who engage in contract cheating also risk being blackmailed by contract cheating services.
Where can I get assistance?
For academic advice and guidance, the Academic Learning Centre (ALC) can support you in becoming confident in completing assessments with integrity and of high standard.
What can you do to act with integrity?
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