Overview
In this unit you will be introduced to a range of historical experiences relevant to the emergence of modernism and modern visual art practices. You will examine a selection of key visual artists and movements associated with the modern period, including the emergence of conceptual art practices.
Details
Pre-requisites or Co-requisites
There are no requisites for this unit.
Important note: Students enrolled in a subsequent unit who failed their pre-requisite unit, should drop the subsequent unit before the census date or within 10 working days of Fail grade notification. Students who do not drop the unit in this timeframe cannot later drop the unit without academic and financial liability. See details in the Assessment Policy and Procedure (Higher Education Coursework).
Offerings For Term 1 - 2025
Attendance Requirements
All on-campus students are expected to attend scheduled classes - in some units, these classes are identified as a mandatory (pass/fail) component and attendance is compulsory. International students, on a student visa, must maintain a full time study load and meet both attendance and academic progress requirements in each study period (satisfactory attendance for International students is defined as maintaining at least an 80% attendance record).
Recommended Student Time Commitment
Each 6-credit Undergraduate unit at CQUniversity requires an overall time commitment of an average of 12.5 hours of study per week, making a total of 150 hours for the unit.
Class Timetable
Assessment Overview
Assessment Grading
This is a graded unit: your overall grade will be calculated from the marks or grades for each assessment task, based on the relative weightings shown in the table above. You must obtain an overall mark for the unit of at least 50%, or an overall grade of 'pass' in order to pass the unit. If any 'pass/fail' tasks are shown in the table above they must also be completed successfully ('pass' grade). You must also meet any minimum mark requirements specified for a particular assessment task, as detailed in the 'assessment task' section (note that in some instances, the minimum mark for a task may be greater than 50%). Consult the University's Grades and Results Policy for more details of interim results and final grades.
All University policies are available on the CQUniversity Policy site.
You may wish to view these policies:
- Grades and Results Policy
- Assessment Policy and Procedure (Higher Education Coursework)
- Review of Grade Procedure
- Student Academic Integrity Policy and Procedure
- Monitoring Academic Progress (MAP) Policy and Procedure - Domestic Students
- Monitoring Academic Progress (MAP) Policy and Procedure - International Students
- Student Refund and Credit Balance Policy and Procedure
- Student Feedback - Compliments and Complaints Policy and Procedure
- Information and Communications Technology Acceptable Use Policy and Procedure
This list is not an exhaustive list of all University policies. The full list of University policies are available on the CQUniversity Policy site.
Feedback, Recommendations and Responses
Every unit is reviewed for enhancement each year. At the most recent review, the following staff and student feedback items were identified and recommendations were made.
Feedback from Anecdotal
Content in this unit is interesting. Related tutorial discussions allow for a deeper understanding of modern art history.
Retain current structure and delivery approach for this unit.
- Discuss the relationship of 18th and 19th century European fine art academies to the development of institutional theories of taste and art criticism
- Recognise key features of Enlightenment thinking and their relevance to modernity
- Discuss the historical relevance of a selection of key artists to modern visual culture
- Discuss the ongoing influence of Dada and anti-aesthetic practices upon international, late twentieth century and early twenty-first century visual art practices.
Alignment of Assessment Tasks to Learning Outcomes
Assessment Tasks | Learning Outcomes | |||
---|---|---|---|---|
1 | 2 | 3 | 4 | |
1 - Presentation - 15% | ||||
2 - Presentation - 35% | ||||
3 - Written Assessment - 50% |
Alignment of Graduate Attributes to Learning Outcomes
Graduate Attributes | Learning Outcomes | |||
---|---|---|---|---|
1 | 2 | 3 | 4 | |
1 - Communication | ||||
2 - Problem Solving | ||||
3 - Critical Thinking | ||||
4 - Information Literacy | ||||
5 - Team Work | ||||
6 - Information Technology Competence | ||||
7 - Cross Cultural Competence | ||||
8 - Ethical practice | ||||
9 - Social Innovation | ||||
10 - Aboriginal and Torres Strait Islander Cultures |
Textbooks
There are no required textbooks.
IT Resources
- CQUniversity Student Email
- Internet
- Unit Website (Moodle)
All submissions for this unit must use the referencing style: American Psychological Association 7th Edition (APA 7th edition)
For further information, see the Assessment Tasks.
p.connor@cqu.edu.au
Module/Topic
Introduction to Modernism and the 'New'.
- Introduction to unit assessment requirements, learning outcomes and overview.
- Why study art history and theory?
Chapter
- Read: week 1 study guide: Introduction to Modernism and the 'New'.
- View: related week 1 learning resources.
- Complete: week 1 learning activities.
Events and Submissions/Topic
- Introduction to 'Modernism and the 'new'.
Module/Topic
Introduction to pre-modern European visual arts and culture.
Chapter
- Read: week 2 study guide: Introduction to Introduction to pre-modern European visual arts and culture.
- View: related week 2 learning resources.
- Complete: week 2 learning activities.
Events and Submissions/Topic
- Introduction to pre-modern European visual arts and culture.
Module/Topic
The French Royal Academy, Manet, Cassatt, and French Impressionism.
Chapter
- Read: week 3 study guide: The Royal Academies, Manet and French Impressionism.
- View: related week 3 learning resources.
- Complete: week 3 learning activities.
Events and Submissions/Topic
- The French Royal Academies, Manet, Cassatt, and French Impressionism.
- Begin: draft for forum discussion/presentation (Assessment 1).
Module/Topic
Post Impressionism and Cezanne.
Chapter
- Read: week 4 study guide: Post Impressionism and Cezanne.
- View: other week 4 learning resources.
- Complete: week 4 learning activities.
Events and Submissions/Topic
- Post Impressionism and Cezanne.
- Complete: forum discussion/presentation draft and prepare slides or visual aids. (Assessment 1).
Module/Topic
Cubism and Primitivism.
Chapter
- Read: week 5 study guide: Cubism and Primitivism.
- View: other week 5 learning resources.
- Complete: week 5 learning activities.
Events and Submissions/Topic
- Cubism and Primitivism.
- Complete: presentation for forum discussion/presentation (Assessment 1).
Module/Topic
NA
Chapter
NA
Events and Submissions/Topic
NA
Module/Topic
Futurism.
Chapter
- Read: week 6 study guide: Futurism.
- View: other week 6 learning resources.
- Complete: week 6 learning activities.
Events and Submissions/Topic
- Futurism.
- Present: forum discussion/presentation (Assessment 1), (schedule TBA.).
Discussion forum/presentation Due: Week 6 Wednesday (23 Apr 2025) 5:00 pm AEST
Module/Topic
Dada and Surrealism.
Chapter
- Read: week 7 study guide: Dada and Surrealism.
- View: other week 7 learning resources.
- Complete: week 7 learning activities.
Events and Submissions/Topic
- Dada and Surrealism.
Module/Topic
German Expressionism and Existentialism.
Chapter
- Read: week 8 study guide: German Expressionism and Existentialism.
- View: other week 8 learning resources.
- Complete: week 8 learning activities.
Events and Submissions/Topic
- German Expressionism and Existentialism.
- Complete: draft for Assessment 2 - Written assessment/prerecorded PowerPoint presentation.
Module/Topic
Pure Abstraction and Abstract Expressionism.
Chapter
- Read: week 9 study guide: Pure Abstraction and Abstract Expressionism.
- View: other week 9 learning resources.
- Complete: week 9 learning activities.
Events and Submissions/Topic
- Pure Abstraction and Abstract Expressionism.
- Submit: Assessment 2 - Written assessment/prerecorded PowerPoint presentation.
Written Assessment and Presentation Due: Week 9 Friday (16 May 2025) 11:45 pm AEST
Module/Topic
Conceptual Art, Anti-art, Pop Art and Minimalism.
Chapter
- Read: week 10 study guide: Conceptual Art, Anti-art, Pop Art and Minimalism.
- View: other week 10 learning resources.
- Complete: week 10 learning activities.
Events and Submissions/Topic
- Conceptual Art, Anti-art, Pop Art and Minimalism.
- Collate: research and begin draft of Assessment 3 - Written Assessment.
Module/Topic
Modernism in Australia.
Chapter
- View: week 11 learning resources.
- Complete: week 11 learning activities.
Events and Submissions/Topic
- Modernism in Australia.
- Complete: polished draft for Assessment 3 - Written Assessment.
Module/Topic
The 'end of modern art' and the 'end of art history'.
Chapter
- Read: week 12 study guide: 'Anxious objects' and the decline of the 'New'.
- View: other week 12 learning resources.
- Complete: week 12 learning activities.
Events and Submissions/Topic
- The 'end of modern art' and the 'end of art history'.
- Complete: final draft for Assessment 3 - Written Assessment.
Module/Topic
Submit Assessment 3 - Written Assessment.
Chapter
Events and Submissions/Topic
- Submit: Assessment 3 - Written Assessment.
Written Assessment. Due: Review/Exam Week Friday (13 June 2025) 11:45 pm AEST
Module/Topic
Chapter
Events and Submissions/Topic
1 Presentation
Length: 7 minutes (duration)
Task Description: For this assessment you will engage in a live discussion forum with unit staff and your peers. Prior to presenting your live discussion, you are required to read the study guides for weeks 1, 2 and 3 of this unit. After doing this, you are then required to complete further research using high-quality scholarly resources to find out more about your discussion forum topic. The discussion forum will involve three parts:
Part A (3 minutes): You will present a live, oral description of one of the key impacts that European Royal Academies of Fine Art had on institutional theories of taste and art criticism during the 1800s (2 minutes). After presenting findings from your research, you will share your opinions about this impact (1 minute). You are required to the presentation software PowerPoint for this assessment as visual imagery will be important to your discussion of the topic. (Keynote and other Macintosh software should not be used for this assessment).
Part B: (4 minutes): Engage in conversation with staff and peers and answer questions that relate to your discussion forum topic.
Part C: Share at least 5 reliable, scholarly resources via your PowerPoint presentation. This list of resources will act as your reference list.
NB: A pdf of your PowerPoint presentation will be submitted to Moodle for assessment by 5:00 PM on the day you present your live presentation.
Use of Generative Artificial Intelligence agents (Gen AI)
· Within this assessment, the use of Gen AI agents is as follows:
No Gen AI use at any point during this assessment.
Week 6 Wednesday (23 Apr 2025) 5:00 pm AEST
Your oral presentation/forum discussion is due during your scheduled class. A pdf of your Powerpoint presentation is due by 5:00 PM the day of your presentaion. This pdf document will be submitted for assessment via Moodle.
Week 8 Wednesday (7 May 2025)
Assessment returns and feedback are made via Moodle.
1. Evidence of research and integration of theoretical perspectives and/or facts. (Max. 20)
2. Evidence of critical thinking and reflection supported by reliable sources. (Max. 20)
3. Accuracy of information presented. (Max. 20)
4. Ability to clearly articulate an opinion/knowledge of the topic. (Max. 20)
5. Referencing. (Max. 20)
- Discuss the relationship of 18th and 19th century European fine art academies to the development of institutional theories of taste and art criticism
2 Presentation
Length: 10-12 minutes (duration).
Task Description: In this assessment you will prepare a written statement and then present it as a recorded PowerPoint presentation. For this presentation, you will research and discuss key features of Enlightenment thinking and their relevance to the emergence of European modernism and the revolutionary tendencies of avant-garde visual art practices between 1905 and 1939. To do this you will:
· Read your study guides for Weeks 1 - 7 and then conduct further research using academically reliable journals, books/ebooks and web-based resources. (Web-based sources that do not acknowledge an author or authors should not be used).
· Relate key features of Enlightenment thinking to the development of European industrialisation and the modern city.
· Relate the social theory of individualism with the significance of subjectivity to European, modern avant-garde art practices between 1905 and 1939.
· Relate European, modern avant-garde art practices/movements (like German Expressionism, Dada, and Surrealism) to the spirit of revolution in Europe during the first half of the twentieth century.
· Include a reference list (not a bibliography).
· Include imagery in your presentation. These must be copyright-free and be appropriately acknowledged as intext figures and in your reference list.
Suggested Outline:
- Introduction.
- Enlightenment thinking and its impact on the modern sensibility.
- Changing technologies, industrialisation, and the modern city.
- Rationalism and emotion, individualism, and subjectivity: European avant-garde art practices between 1905 and 1939.
- The spirit of revolution and European avant-garde art practices between 1905 and 1939.
- Conclusion.
NB:
Do not cite from Wikipedia or other websites that do not have an acknowledged author.
Use of Generative Artificial Intelligence agents (Gen AI)
Within this assessment, the use of Gen AI agents is as follows:
• No Gen AI use at any point during this assessment.
Week 9 Friday (16 May 2025) 11:45 pm AEST
Please submit your pre-recroded PowerPoint presentation via Moodle.
Week 11 Friday (30 May 2025)
Assessment returns and feedback are made via Moodle.
1. Evidence of research and integration of theoretical perspectives. (Max. 20)
2. Degree of depth with which topic is addressed. (Max. 20)
3. Structure of presentation and use of appropriate software. (Max. 20)
4. Ability to clearly articulate ideas and use appropriate style. (Max. 20)
5. Referencing. (Max. 20)
- Recognise key features of Enlightenment thinking and their relevance to modernity
3 Written Assessment
Length: 2000- 2300 words.
Task Description: This written paper has two parts. To complete this written assessment, you will:
A). research and discuss the historical relevance of either Paul Cezanne, Mary Cassatt, or Piet Mondrian to modern visual culture and
B). research and discuss the on-going influence of Dada and Duchampian anti-aesthetic practices upon international, late twentieth century and early twenty-first century visual art practices. In your discussion, describe what you believe to be the most interesting or surprising aspect of Dada’s and Duchamp’s ongoing influence on late twentieth century and contemporary art practices.
Suggested Outline:
- Introduction. (Define key terms like ‘modern visual culture’ and outline the intent and scope of the essay. (350-400 words)
- Selected artist and her/his impact on modern visual culture. (650-750 words)
- The impact of Dada and Duchampian anti-aesthetic practices on late twentieth century and early twenty-first century visual art practices. (650-750 words)
- Conclusion. (350-400 words).
NB: You may wish to use sub-headings in your written assessment to improve its structure and signal content flow to your reader.
NB: ‘Visual culture’ is a term that extends beyond the scope of the visual/fine arts. It may include architecture, furniture design, fashion design, film/cinema, TV, mass media advertising, as well as the visual/fine arts. Designs and styles may become a part of visual culture due to their successful influence on culture more broadly. Thus, visual culture can be defined as: the culture of a people and/or place as expressed in visual images and other forms of visual representation/signification.
NB: For our purposes, ‘modern culture’ will be considered to include European, American, and Australian culture from the 1850s to the late 1960s.
Assignment format:
- Use 12-point Times New Roman font for the body of the essay; 1.5 spacing throughout
- You may use sub-headings if you wish to organise your assignment. These may be in a different colour or different size font.
- Include in-text references (citations) throughout the assignment.
- Include your name and student number in the header of the document.
- Include page numbers in the footer of the document.
- Include a Reference List at the end of the assignment in APA style, 7th edition.
- You should have a minimum of 10 references for this assignment.
- Do NOT cite from Wikipedia or other websites that do not have an acknowledged author.
Important information about Word Count:
The word count is considered from the first word of the introduction to the last word of the conclusion. It excludes the cover page, abstract, contents page, reference page and appendices. It includes in-text references and direct quotations.
Use of Generative Artificial Intelligence agents (Gen AI)
· Within this assessment, the use of Gen AI agents is as follows:
No Gen AI use at any point during this assessment.
Review/Exam Week Friday (13 June 2025) 11:45 pm AEST
Assessment 3 must be submitted as a Microsoft Word document, along with the Assessment 3 Marking Criteria Sheet. Assessment submission is made via Moodle.
Exam Week Friday (20 June 2025)
Assessment feedback is provided via Moodle.
- Evidence of research and integration of theoretical perspectives. (Max. 20)
- Degree of depth with which topic is addressed. (Max. 20)
- Writing structure and word count. (Max. 20)
- Writing standard: Ability to clearly articulate ideas and use appropriate style. (Max. 25)
- Referencing. (Max. 15)
- Discuss the historical relevance of a selection of key artists to modern visual culture
- Discuss the ongoing influence of Dada and anti-aesthetic practices upon international, late twentieth century and early twenty-first century visual art practices.
As a CQUniversity student you are expected to act honestly in all aspects of your academic work.
Any assessable work undertaken or submitted for review or assessment must be your own work. Assessable work is any type of work you do to meet the assessment requirements in the unit, including draft work submitted for review and feedback and final work to be assessed.
When you use the ideas, words or data of others in your assessment, you must thoroughly and clearly acknowledge the source of this information by using the correct referencing style for your unit. Using others’ work without proper acknowledgement may be considered a form of intellectual dishonesty.
Participating honestly, respectfully, responsibly, and fairly in your university study ensures the CQUniversity qualification you earn will be valued as a true indication of your individual academic achievement and will continue to receive the respect and recognition it deserves.
As a student, you are responsible for reading and following CQUniversity’s policies, including the Student Academic Integrity Policy and Procedure. This policy sets out CQUniversity’s expectations of you to act with integrity, examples of academic integrity breaches to avoid, the processes used to address alleged breaches of academic integrity, and potential penalties.
What is a breach of academic integrity?
A breach of academic integrity includes but is not limited to plagiarism, self-plagiarism, collusion, cheating, contract cheating, and academic misconduct. The Student Academic Integrity Policy and Procedure defines what these terms mean and gives examples.
Why is academic integrity important?
A breach of academic integrity may result in one or more penalties, including suspension or even expulsion from the University. It can also have negative implications for student visas and future enrolment at CQUniversity or elsewhere. Students who engage in contract cheating also risk being blackmailed by contract cheating services.
Where can I get assistance?
For academic advice and guidance, the Academic Learning Centre (ALC) can support you in becoming confident in completing assessments with integrity and of high standard.
What can you do to act with integrity?
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